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HAPPINESS IS on HUFFINGTON POST

November 12th, 2009

“Happiness Is” Film Says Giving Is The Way To Contentment

In 2006, documentary filmmaker Andrew Shapter was on a tour promoting his first film, “Before the Music Dies” when someone asked him what he planned to do next.

Shapter laughed. He had quit his 20-year fashion photography career to look for more meaning in his life, and this film and subsequent tour had taken over all of his time.

“The next subject I do for a movie, I’ll have to live with it the rest of my life, so it better make me happy,” Shapter had joked.

But then Shapter got to thinking. Had anyone really done a documentary on what makes people happy? He knew there were movies that showed people overcoming obstacles or instructional videos on how to change your life to be happier. But had anyone investigated how Americans choose to find happiness in their own lives?

The Declaration of Independence has endowed us with “certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.”

But Shapter wanted to know what that last bit, “the pursuit of Happiness” really means in America today. How are people pursuing happiness in their own lives? Is happiness really something, as humans, we can actively pursue? So he and a small crew piled into an RV, and over the course of the next three years, drove across America to find out.

“I asked people, ‘what is it that makes you happy, what is your pursuit of happiness and how do you achieve it?’ I looked for people that are really satisfied with what they are doing in their lives,” Shapter said.

“The more I went around and had these soul-searching conversations, I realized the people who were happiest were those who tried to make their community better. Those were the happiest people around.”

Shapter’s new movie “Happiness Is” documents his journey and the people he found along the way who believe they have found a way to pursue happiness. Shapter also interviews celebrities and leaders — the Dalai Lama and Willie Nelson both make brief appearances in the movie.

But most of the documentary is dedicated to happenstance; recorded moments where the filmmaker and his crew stumble upon scenes where people are celebrating the act of giving back.

Making this movie, Shapter said, has affected his life in significant ways. “I don’t have an agenda, there are no political issues. It’s about a common bond to help people out — there’s no call to government action, just a call to stop what you’re doing, get off your butt and help somebody. You’ll have a better day. My life is a lot happier now that we’re touring this film and motivating people to get up and help in their own neighborhood.”

Like the film, the screening tour is a bit unconventional: Shapter plans screenings across the country at venues provided by nonprofits in need. Then, he donates all the ticket proceeds to benefit the charity that hosts the screening. Production and tour costs are paid for through the purchase of DVDs and downloads, available at the screenings and on the film’s online store HERE

At the very first screening, “Happiness Is” raised $10,000 for CapCityKids in Austin, Texas.

“I plan on touring this film as long as people need it, as long as benefits need to happen,” Shapter said. “I don’t see an end to this. I hope that nonprofits that are hurting will get a venue and bring people together to raise awareness and money. It’s a long journey.”

“Happiness Is” has screenings scheduled all around the country. You can find one near you on their interactive map.

You can also visit the site to learn more about hosting a screening and the nonprofits the tour already supports.

National Youth Homelessness Awareness Month

November 5th, 2009

From Causecast.org.

This month is National Youth Homelessness Awareness Month, and it has come not a moment too soon. Teen homelessness rates have soared in the U.S., with fewer jobs available for teens to help their family financially and more stresses pushing more kids to leave their homes and live on the streets. With more than three-quarters of these cases going unreported by parents and caretakers, many times there is no one even looking for these kids, and too often, they aren’t trusting of the help that occasionally is offered to them.

Children make up 27% – the fastest growing segment – of the U.S. homeless population, and there’s no end in sight; the recession has forced many families out of their homes, making these youth just another group on the long list of victims, moving from couch to couch, shelter to shelter. But for many, economic stresses are just another ingredient in dysfunctional home lives, leading many to run away. They escape their home only to find new dangers and challenges; as many have pointed out, it’s not that these youth are living on the streets — they’re surviving, at best. And while Obama’s economic stimulus plan has funneled $1.5 billion to fight homelessness, virtually all of that money goes to homeless families, not unaccompanied youth.
As a result, nonprofits and private charities have a lot of responsibility on their shoulders in this upcoming year; it is estimated there will be a 10-20% increase in homelessness this year, many of them children. One organization working to change this trend is StandUp for Kids, working to get abused youth into shelters and away from their abusers through the Don’t Run Away Program. They’re also instrumental in helping street kids get their own apartments and teaching them the basic skills they need to live on their own.
They’re not alone in the fight. This month marked the third year of the Virgin Mobile FreeFest, working to help end youth homelessness. The National Alliance to End Homelessness has initiated a new program to focus particularly on youth and get them the help they need through early intervention, long-term housing, and after-care services for youth coming from foster care and correctional settings. You too can help, particularly this month:
• Volunteer with StandUp for Kids. You can also donate $5 right now by texting STANDUP to 85944 on your mobile phone (don’t forget to reply YES to the confirmation message).
• Participate in peer outreach and community-based outreach to prevent youth homelessness in the first place. If you think someone you know is considering running away or already has, call 1-800-RUNAWAY or contact theFamily and Youth Services Bureau to help find shelter for a homeless youth.
• Let your state representatives know that we need more affordable housing options for young adults.
• Stay up to date on upcoming opportunities with Causecast and Huffington Post Impact this month and get involved to help end youth homelessness.
Read more at: http://www.huffingtonpost.com/2009/11/01/youth-homelessness-awaren_n_341661.html

Photo Credit : Tom Stone

This Rocks

November 2nd, 2009

Middlewood Equilibrium Stack, originally uploaded by …escher….

This photo represents more to me than just a stack of rocks…

The stack is a metaphor for artistic sucess. Whether it be a stack of rocks, a painting or a song, this kind of sucess doesn’t come easy. It takes creativity, patience, concentration, will power and talent.

Find more from the artist Richard Shilling here : STACK

November 1st, 2009

October 26th, 2009
The Teller


The Teller, originally uploaded by Andrew Shapter.


Her name is Francis. She was a teller from a small bank in North Texas and she is the subject of one of my uncle’s most memorable portraits. It hung on his studio wall in Corsicana for years. I lost count of how many times he told me her story.

He photographed thousands of people over three decades but said he’ll never forget the girl with the curly hair and hazel eyes. “She was always energetic in front of the camera but on this day, something was very unusual. She sat motionless and quiet as if she was somewhere else. It wasn’t the Francis I knew” he said.

I asked why she would allow him to take this photo when she was clearly upset. He replied “I don’t know why she was upset. I asked her if she wanted me to stop but she said ‘no no keep going’ so I did. That’s when I took this shot. I had no idea it would be her last photo… but maybe she knew.” 

What was she thinking?

Just a week before the photo session, Francis was taken hostage during a robbery at the bank. She was eventually rescued when the security guard shot the theif as he tried to escape with her. The wounded young man got away with thousands of dollars and was never seen again. The incident only lasted only a few minutes and Francis was unharmed, so it’s doubtful she was traumatized by it.

Just one week after my uncle took her portrait and just two weeks after the bank robbery, she disappeared and was never seen again. 

There was no sign of foul play. According to police reports, she was last seen leaving her job at the bank on January 12th, 1975. No goodbye note. No evidence or remains ever found.   

Still to this day, there are so many unanswered questions surrounding Francis. 


Jackson, Wyoming Sunday, November 8

October 13th, 2009

Sunday November 8th at the Lyndsay McCandless Contemporary Art Gallery, 130 South Jackson St.

“Before The Music Dies,” a B-Side Entertainment Production

Showtimes are 12:00Pm, 3:00Pm, 6:00Pm, and 9:00 PM

Admission is $6 at the door

refreshments will be available

Live music mapping.

October 12th, 2009

This website rocks! Literally. I stumbled upon in today on facebook. Click on a date and you can see all of the acts playing in Austin in one evening. Click on the colored icon to watch a YouTube video of each act.

Kudos to BillsMap!!

Internet powerhouse Pandora may just save the music industry

October 2nd, 2009

LAST THURSDAY, Dominican University of California in San Rafael hosted a very different kind of town hall meeting. While no fundamentalists were apparent, a near-religious fervor pervaded the lecture hall for the latest Pandora “Get-Together,” hosted by the popular Internet radio and music-discovery service.

“I’m the chief evangelist,” founder Tim Westergren told the classroom with a laugh. No wonder, since Oakland-based Pandora is today’s premier online radio service, boasting 35 million listeners across the United States, with 65,000 new registered listeners a day.
It’s readily obvious by talking with the young-looking 43-year-old that he enjoys his job. Back in 2000, along with Will Glaser and Jon Kraft, the Stanford graduate began the ambitious Music Genome Project, a scientific examination of songs using vectors and algorithms that eventually led to the creation of Pandora, a music aggregate that dispenses songs in the form of “stations” that are completely unique for each listener.
First, a listener picks an artist or genre to create a “station.” The user’s tastes are determined each time he or she clicks “thumbs-up” or “thumbs-down” buttons indicating preference; the “skip” button is neutral. To ensure exposure to new music, no more than four songs from the same artist are played in a three-hour period on any given user’s station.
“Every submission gets a listen,” Westergren says of the 12,000 new songs that come in per month, “but it has to be good.” To increase critical consistency, each of Pandora’s 50 music analysts typically holds a four-year degree in music theory and undergoes a rigorous 100-hour training regimen.
Such an innovative approach to radio engenders interesting challenges, as with eclectic artists. “A station based on Frank Zappa doesn’t work very well,” Westergren says, “and Beck is a pain in the ass, musicologically speaking.” The technology can sometimes be jarring, as in the case of a young man who was irate that a Celine Dion song played on his Sarah McLachlan station.
After Westergren verified that all the variables worked, nothing was left but the ugly truth. “His last email said, ‘Oh my God, I like Celine Dion!’” Westergren laughs. “We don’t put much stock in cultural prejudices.”
Just as admirable is Pandora’s bucking of major record labels. Westergren says that “77 percent of our artists are independent.” As a touring musician himself for years—he played in a band called Yellowwood Junction—Westergren hasn’t forgotten the musician’s struggle to make a living. Through Pandora, he says, he can offer a new revenue stream for artists.
While Pandora makes money from ads on its site and commission from music sales through iTunes and Amazon, the company has never advertised, relying purely on word of mouth. When the Copyright Royalty Board ruling tripled its required royalty payments in 2007, Pandora was saved by its supporters, with 400,000 letters and faxes reaching Capitol Hill in three days—more than those protesting the Iraq war.
“This is definitely disturbing, but it’s fine for us,” he says, and resulting negotiations enabled Pandora to stay afloat.
This devotion was fully visible at Dominican, with people of all ages thanking Westergren. “You nailed it,” a middle-aged lady gushed. “I’ve had really strange taste my entire life, and now I’ve gotten into so much new music!” While one older gentleman found Pandora’s classical offerings too limited, most were elated with the service.
According to Westergren, Pandora’s biggest competitor is traditional radio. “Those are the listeners we want,” he says. “Most of our listeners are in their 20s and 30s, but our fastest growth [is with listeners who are] far older. And they’re no longer being served by the broadcast industry.”
Pandora supports the controversial Performance Rights Act, which would require radio stations to pay royalties to musicians. Pandora already does this. “We think the performer should be paid for radio play,” Westergren says simply.
While Pandora isn’t profitable yet—Westergren hopes to be by year’s end—its achievement remains a scintillating reminder of why music fans should run the music business. “You will never hear a song on Pandora because a record label told us to,” Westergren told the group to rapturous applause.
That’s an algorithm that deserves a huge thumbs-up.

Pandora can be found at www.pandora.com.

Once upon a Time in the West + Arcade Fire

September 21st, 2009

A music video for the song with edited clips from Sergio Leone’s “Once Upon a Time in the West” Arcade Fire “My body is a Cage”

A pop song with a punch.

September 16th, 2009

Why is it so many artists have covered “Crazy” by Gnarles Barkley? Yea, the hook is great no doubt, but I also think it’s because the lyrics are so damn good. See for yourself.